Divine Lorraine listening
One of the most essential experimental albums out there today! Elements of dance, jazz, and psychedelic music are mixed together in a way that’s incredibly thoughtful, disorienting, and mind blowing. Intriguing field recordings + personal voice messages are weaved in between tracks, which altogether creates an album that encapsulates grief + personal history in a way that’s never been done before in music.
Favorite track: Which Fork / I'll Be.
Gwynplaine de Pétroleuse
A euphoric and very Psychedelic sounding Jazzy Apmospheric Neo-Soul-like album. With absolutely amazing instrumentation and vocal manipulation L'Rain creates this alluring and warm atmosphere filled with beautiful singing and complex rhythm patterns. A phenomenal debut!
Favorite track: Which Fork / I'll Be.
Time is twisted on L’Rain, the debut release by L’Rain (Taja Cheek), a multi-instrumentalist, songwriter, tape manipulator and vocalist from Brooklyn.
Rising on a wave of synths and breathy sax, the album unfolds with electric guitar arpeggios and undulating vocal swells, unwrapping a dense psychedelic arrangement grounded by clattering acoustic drum patterns and the ephemeral soars of Cheek’s voice.
Reversed audio swells in track endings and beginnings obscure vocal content, exploring the same track from multiple angles and with different meanings. Reprised piano tape loops reflect Cheek’s formal music education, during which she would fixate on a phrase of piano sheet music and play it repeatedly, imagining new songs. The baroque pop aspects of L’Rain are marked by a childlike levity, deepening and mystifying the painful reality Cheek faced as an adult during its production: the loss of her mother.
Cheek’s mother became suddenly ill during the album’s writing and production, but grief appears in the recordings in a complicated way. The lyrics never explicitly mention her mother, as the songs were written with unrelated sorrow in mind. But by the end of producing L’Rain, the work turned out to be very much about her mother. “It’s almost like I caused her death in some way — the feeling is absurd, bigger than myself, a premonition.”
L’Rain comes off at times as morbid, pessimistic, and flippant while at other times smiley, bubbly, and effervescent. Like pressing play, fast forward, and rewind all at once, Cheek wanted to present a range of
emotions through her minimalist experiments. The result is particular
and real, yet impossible and panchromatic: a loop within a loop. Take
‘Benediction,’ a field recording that voyeuristically follows religious
practitioners just outside their place of worship. L’Rain locates a spiritual dimension just beyond her listeners’ experience, in the recursive logic of her own hearing.
released September 15, 2017
Taja Cheek: Artist, Writer, Composer, Producer, Keyboards, Synths, Electric Guitar, Bass Guitar, Vocals, Samples, Percussion
Andrew Lappin: Producer, Engineer, Mixing, Electric Guitar, Acoustic Guitar, Nylon Guitar, Programming, Percussion
Alex Goldberg: Drums, Percussion, Additional Production
Jeremy Powell: Saxophone
Kyp Malone: Background Vocals
Jake Aron: Mixing
Chris Connors: Additional Mixing, Vocal Editing
Chris Gehringer: Mastering
Sam Obey: Sequencing, A&R, Remix Mastering
Jed Moch: Album artwork
Carlos Reyes: Album artwork
supported by 64 fans who also own “L'Rain (Deluxe Edition)”
Room 25 is a dope progression of Noname’s artistry. The strings and production are absolutely brilliant and I can’t say enough positive things about the sequencing of the album. For the lovers of dope hip hop, thought provoking lyrics, and growth. Charles P
supported by 48 fans who also own “L'Rain (Deluxe Edition)”
Maybe my favorite album of 2020 so far- unexpected as normally 90% of my listening is extreme metal. I'm very impressed with the variety of styles and sounds that still manage to feel cohesive. Chris Pikula